DC did something right! Jon, Elliott and Steven discuss why the Netflix version of Neil Gaiman’s groundbreaking comic “Sandman” could never be a movie, the extra helping of British in the casting and how the 30 year wait, “Good Omens”  and a COVID lockdown, helped the final product. Plus, lowering the barrier of Vertigo, the four pillars of British comic book writers and why a brooding emo girlfriend is good for your comic book collection. [EP292]